中国山水诗意识代变及山水诗艺术内蕴探析——以唐宋山水诗为举隅  

Artistic Connotation and Epochal Change of the Literary Consciousness of the Landscape Poetry: Taking the Landscape Poetry in the Tang and Song Dynasties as the Examples

作　　者：陈显锋 CHEN Xian-feng(College of Arts ,Guangxi Normal University ,Guilin 541004,Guangxi , China)

机构地区：[1]广西师范大学文学院

出　　处：《武汉理工大学学报（社会科学版）》2019年第3期158-164,共7页Journal of Wuhan University of Technology:Social Sciences Edition

摘　　要：山水诗意识的确立是代变的演进。先秦以来,许多文献涉及到人类与自然山水的关系,魏晋时期才形成山水诗。谢灵运、谢眺对山水诗形成贡献最大。唐代诗人白居易为第一个使用山水诗名称者,但古代文献有山水诗之实,而无山水诗之类。山水诗意识代变为文体体类在近代才确定下来。标题指向性、对象真实性、山水主体性、审美目标性是山水诗概念内涵的四要素,是取舍山水诗的量规。山水诗内涵之美须有恰当的表现方式,是艺术手段的丰富性、艺术方式的适宜性及艺术时空的差异性的共同融合。The establishment of the consciousness of landscape poetry is the process of the evolution with the times.Many documents relate to the relationship between human and natural landscape since the Pre-Qin Period.Landscape poetry took its form in the Wei and Jin Dynasties.Xie Lingyun and Xie Tiao contributed most to the formation of landscape poetry.Bai Juyi was the first person namingl andscape poems in the Tang Dynasty.But the ancient literature had the poetry describing landscape without classifying them into a specific category.Only in modern times was landscape poetry included into the categories.The directionality of the headings,the authenticity of objects,the subjectivity of landscape and the goal of aesthetics are four elements of the concept and connotation of landscape poetry,and also the rules for the choice of landscape poetry.The beauty of the connotation of landscape poetry must be appropriately expressed through the richness of artistic means,the appropriateness of artistic ways and the difference of artistic space-time.

关 键 词：山水诗 代变 概念 艺术内蕴 

分 类 号：I207.22[文学—中国文学]