微电影微电影《海公子》的叙事策略与视听语言分析  

Audio-visual Language Analysis of the Mini-movie Mr. Hai

作　　者：宋朝 余成敏 SONG Chao;YU Cheng-min(School of Humanities, Guizhou University of Engineering Science,Bijie,Guizhou551700,China;Shuangshan Middle School,Jinhaihu New District,Bijie,Guizhou551700,China)

机构地区：[1]贵州工程应用技术学院人文学院,贵州毕节551700 [2]毕节市金海湖新区双山中学,贵州毕节551700

出　　处：《贵州工程应用技术学院学报》2019年第2期151-155,共5页Journal of Guizhou University Of Engineering Science

基　　金：贵州省教育厅高校人文社会科学研究规划项目“数字化微电影对贵州高校校园文化建设的应用研究”,项目编号:2018gh21

摘　　要：微电影《海公子》取材于古典文学名著《聊斋志异》,是开发利用文学资源的成功范例;导演耿雪结合自己的专业特点,从女性艺术家的角度,在通俗的古典叙事的掩护下完成了精英艺术家对精致的纯美艺术的追求,体现出不凡的审美趣味;该片在布光、音效、构图和镜头运用方面体现出浓烈的中国传统风格,尤其令人印象深刻的是把人物自身敲击瓷器发出的声音当成人物语言和对话,神奇地实现了“无声电影”到“有声电影”的过渡;声音和画面的剪辑精准而干净,相得益彰,毫无拖沓之感,堪称运用电影视听语言的典范。The mini-movie Mr. Hai based on the classic literary masterpiece Liao ZhaiZhi Yi, is a suc. cessful example of the exploitation and utilization of ancient literary resources.Director Gengxue combines his expertise, from a female artist's point of view, under the cover of a popular classical narrative, completing the pursuit of fine, pure art by elite artists, an extraordinary aesthetic interest. The film reflects a strong Chinese traditional style in terms of light, sound effects, composition and lens use. This is impressive: the sound of the character hitting the porcelain as the character's language and dialogue, magically realized the transition from silent movie to sound movie. The sound and screen clips are accurate and clean, complement each other, and have no sense of procrastination. They are examples of the use of audiovisual language in movies.

关 键 词：《海公子》 微电影 古典叙事 视听分析 

分 类 号：J90[艺术—电影电视艺术]