浅议洮岷型“花儿”的特征及流变  

On the Characteristics and Rheology of Taomin Hua’er

作　　者：何卫[1] HE Wei(College of Music,Lanzhou City University,Lanzhou Gansu 730070)

机构地区：[1]兰州城市学院音乐学院

出　　处：《甘肃高师学报》2019年第3期106-108,共3页Journal of Gansu Normal Colleges

基　　金：2018年甘肃哲学社会科学规划项目“方言学视阈下的‘洮岷型花儿’研究”(YB089)的阶段性成果

摘　　要：花儿是西北地区民间音乐中最具影响力的一种山歌体民歌,被联合国教科文组织收录为世界非物质文化遗产。从产生到当下,经历了数千年的历史,在文化的长河里,对西北各民族一直产生着深远的影响,被视为西北音乐之魂。近些年,花儿受各种环境的影响,文化流变的速度逐步加快。笔者以洮岷型花儿为例,对花儿的文化形态及社会功能做了浅显的梳理归纳,也从文化生态学的角度分析研究花儿的艺术特征及它在西北少数民族聚居地所发挥的民族团结及民族融合所产生的纽带作用,目的是探索有效保护和传承及创新模式,使民族瑰宝的花儿在当下社会中产生更有效的社会文化价值作用。Hua’er is one of the most influential folk songs in the folk music of Northwest China.It has been included as the world intangible cultural heritage by the United Nations Educational,Scientific and Cultural Organization.From its emergence to the present,it has gone through a thousand years of history.In the long river of culture,it has exerted a far-reaching influence on all nationalities in Northwest China.It is regarded as the soul of Northwest music.In recent years,influenced by various environments,the rheological speed of music forms is accelerating.Taking Taomin Hua’er as an example,the author makes a simple summary of its cultural form and social function,and further finds out the related factors of its evolution from the cultural form and its role as a link of national unity in the northwest minority inhabitants’settlements,with the aim of exploring effective protection and inheritance modes so as to make it possible to make Hua’er play a more effective role in social and cultural values in the contemporary society.

关 键 词：洮岷型 花儿 文化特征 

分 类 号：J607[艺术—音乐]