从《季札挂剑图》漆盘看汉末漆器彩绘风格  

Painting Style of the Lacquer Wares in the Late Han Dynasty in the Example of the Lacquer Plate with the Painting Ji Zha Hanging the Sword

作　　者：胡新地[1] Hu Xindi

机构地区：[1]福建师范大学美术学院

出　　处：《美术》2019年第6期101-105,共5页Art Magazine

摘　　要：《季札挂剑图》漆盘装饰画是汉末至三国时期漆器装饰向人物故事画领域的新拓展。这种混杂的写实风格并非蜀郡漆绘手法,其用色注重深浅对比搭配.着意塑造物体的明暗立体效果,并注重形象刻画《季札挂剑图》漆盘的盘面外缘部分装饰画,明显采用了近似“凹凸花”技法。与朱然墓出土的其他漆器装饰画相比,《季札挂剑图》漆器装饰画具有明确的教化作用。漆器装饰中人物故事画的兴起并非出于单一的审美追求,而是缘于其社会性的功用。The decorative painting of Ji Zha Hanging the Sword on the lacquer plate reflected the new development of the decoration on the lacquer wares on the theme of the stories of figures from the late Han dynasty to the Three Kingdoms period. The miscellaneous realistic style was not the typical characteristics of lacquer painting in Shu prefecture for it focused on the contrast and assortment of color of different shades, shaping the stereoscopic effect of light and dark, depiction of characters and so on. Obviously, the concave-convex technique was adopted in the decoration on the edge of the lacquer plate w让h the painting Ji Zha Hanging the Sword. Compared with the decorative paintings on other lacquer wares unearthed from the tomb of Zhu Ran, the painting Ji Zha Hanging the Sword performed an educational function definitely. The decorative paintings on the theme of the stories of figures sprang up because of its social function rather than simple aesthetic pursuit.

关 键 词：《季札挂剑图》 漆器装饰画 写实性风格 社会功用 

分 类 号：J209[艺术—美术]