自然之真——《罗丹艺术论》中“丑”的探析  

Truth of Nature—— An Analysis of “Ugliness” in Rodin’s Art

作　　者：查璇 丁文霞[1] Zha Xuan;Ding Wenxia(Anhui Polytechnic University,Wuhu 241000,China)

机构地区：[1]安徽工程大学

出　　处：《黑河学院学报》2019年第5期176-178,共3页Journal of Heihe University

摘　　要：罗丹所构建的美学思想中,“丑”理论是其思想的主要核心,作为共性的概念,提出了“真”与“自然”两个客观存在的范畴。从“真”的角度来说,艺术所认为丑的,是绝无品格的事物,是既无外表真,更无内心真的东西;从“自然”的角度来说,在自然中丑的东西在艺术上越是美。两个范畴关系密切,互为融通,为剖析“丑”理论开拓了新思路。In Rodin’s aesthetic thoughts, the theory of “ugliness” is the main core. He proposes two categories of objective existence -“truth” and “nature”, which are the concepts of commonality. From the perspective of “truth”, what is considered to be ugly by art is the thing without the character, as well as the thing with neither exterior truth nor inner truth;from the perspective of “nature”, the ugly thing in the nature is more beautiful in the art. The two categories are closely related and mutually integrated, which opens up a new way to analyze the theory of “ugliness”.

关 键 词：罗丹 丑 自然 真 《罗丹艺术论》 

分 类 号：J304[艺术—美术]