《浮士德的沉沦》的重新演绎——理查德·琼斯在格林德伯恩的制作  

Glyndebourne presents Richard Jones’s new staging of La damnation de Faust

作　　者：王一冰(编译) 

机构地区：[1]不详

出　　处：《歌剧》2019年第6期34-37,共4页Opera

摘　　要：清唱剧'歌剧,还是康塔塔·柏辽兹的“戏剧传奇”《浮士德的沉沦》到底是哪一种类型?这个问题仍无定论。众所周知,这部作品既支离破碎又结合统一,就像主人公浮士德一样不切实际。在这部作品中,真实与想象、有形与理想化之间的关系,既完美展现了柏辽兹想表达的意义,又强烈地对比了其他具有连贯性的戏剧。OUTLINE In this new staging at Glyndebourne, Richard Jones gives us his own brand of "logic," but "coherenee" eludes him. Before we hear a note of music, dancing demons in lurid body suits and horned masks limber up, as if for a sporting contest. A chorus of fiends then takes its place in the stalls perched on three sides above the black box set through the cracks ofwhich lurid lights glow.

关 键 词：《浮士德的沉沦》 理查德 制作 格林 琼斯 演绎 柏辽兹 康塔塔 

分 类 号：J605[艺术—音乐]