开放文本与对话意图:宋代题跋与“本文”的关系及其演变  

Open Text and Dialogue Intention:The Relation and its Evolution between Postscripts and “Original Text” of Song Dynasty

作　　者：王晓骊 Wang Xiaoli

机构地区：[1]华东政法大学文伯书院

出　　处：《南京师范大学文学院学报》2019年第2期9-16,共8页Journal of School of Chinese Language and Culture Nanjing Normal University

基　　金：国家社科基金一般项目“中国古代题跋文学研究”(13BZW095)阶段性成果

摘　　要：作为“副文本”出现的题跋在宋代逐渐超越对原作(即“本文”)的依赖,成为可以自足的完整意义单位,这是题跋作为独立文体在后代传播并接受的前提。“本文”召唤是题跋产生的原初机制,对原作意义的诠释构成了题跋的主要功能。但是随着题跋的成熟,题跋作者的自主对话意图推动题跋创作超越“本文”,题跋不仅是对作者的回应,也不只限于对“本文”隐含意义的发掘,更在于自我意义的呈现,其目标指向是真实情景中的自我与他人的关系。题跋与“本文”关系的演变与宋代文人强烈的自我意识有直接关系。As a kind of sub - text, the postscripts gradually surpassed their dependence on the original works(“original texts”) in the Song Dynasty and became a kind of self - contained unit with its own meaning, which is the premise for the spreading and acceptance of the postscripts as an independent style in later generations. As an open text, the call of“original texts”was the original mechanism for the generation of postscripts, and the interpretation of the meaning of the original works constituted the main function of postscripts. But with the maturity of postscripts, the author's autonomous intention of dialogue has promoted the creation of postscripts beyond the original texts. The postscripts were not only the response to the author, not only the discovery of the implied meaning of the original texts, but also the presentation of its self - meaning. The evolution of the relationship between postscripts and original texts was directly related to the strong self - consciousness of scholars in the Song Dynasty.

关 键 词：宋代 题跋 “本文” 关系 

分 类 号：I206.2[文学—中国文学]