岂知重得兮入长安——中古乐工围绕长安的流动迁移与聚合地理文化证  

Coming Back to Perpetual Peace:The Mobility and Cultural Geography of Ancient Musicians around Chang’an

作　　者：夏滟洲[1] XIA Yanzhou

机构地区：[1]西安音乐学院西北民族音乐研究中心

出　　处：《音乐文化研究》2019年第2期35-47,M0002,共14页Music Culture Studies

基　　金：国家社科基金冷门“绝学”,国别史等研究专项《中古时期的丝路往来与唐乐舞形成的画样研究》成果(项目编号:2018VJX008)

摘　　要：中古时期的长安,自西晋愍帝及前赵、前秦、后秦短暂建都之后,直到西魏回到此地建都,延续至唐。由于永嘉之乱造成洛阳宫廷乐工四处迁徙,原本作为国家雅乐中心的长安与洛阳宫闱诸乐随乐工奔走而流散。建都长安的统治者加强乐工团体的管理中,历经多次围绕雅乐的重整和回拨、胡俗乐的建设,终于在隋代再度将中古以来南北等地散落的音乐文化累积展示,从而在长安形成了隋唐雅乐之用、多部伎并列、散乐歌舞勃兴的音乐文化模式,同时揭示出中国音乐史上雅、俗之分的基本面貌。Chang'an was the ancient capital of the short-lived Western Jin,Former Zhao,Former Qin and Later Qin dynasties.Then it became the capital of Western Wei until the Tang dynasty.The Disaster of Yongjia scattered the court musicians of Luoyang and Chang 'an,the national court music centre.After restructuring and reallocating court musicians around the country,the ruling government strengthened the management of musicians,rebuilt the court and vulgar music systems,and finally established a diverse music culture including court music,ethnic music and vulgar folk dance and music,during the Sui dynasty.This reveals the division between court music and folk music genres in the history of Chinese music.

关 键 词：中古时期 长安 乐工 伎乐 

分 类 号：J609.2[艺术—音乐]