新世纪以来上海先锋戏剧生态刍议  

On the Ecology of Avant-garde Theatre in Shanghai in the 21st Century

作　　者：翟月琴[1] ZHAI Yueqin

机构地区：[1]上海戏剧学院戏剧文学系

出　　处：《戏剧艺术》2019年第3期74-76,77-83,共10页Theatre Arts

基　　金：国家社科基金青年项目“1980年代以来汉语新诗的戏剧情境研究”(15CZW044);“上海戏剧学院高水平地方高校(学科)建设项目”的阶段性成果

摘　　要：1987年,上海先锋戏剧引起关注。与"探索"或是"实验"等名称有别,"先锋"本身就具有实验性,而这种实验是在意识形态、市场经济和戏剧艺术三种力量的整合下,越出传统边界、规矩和隔阂的新型戏剧实验。新世纪以来的上海先锋戏剧面临着新的挑战。真汉咖啡剧场和下河迷仓剧场的运营独立性的形成,草台班的社会性戏剧和组合嬲的临界性剧场,多方面地勾勒了新世纪以来的上海先锋戏剧生态。In 1987, Shanghai avant-garde theatre attracted attention. In contrast to terms like"exploration" or "experiment", the word "avant-garde" is experimental in itself. This experiment is a new type of theatre experiment that goes beyond the traditional boundary, rules and limits, as a result of the integration of three forces: ideology, market and theatrical arts. Shanghai avantgarde theatre in the new century is facing new challenges. The operational independence formed by Zhenhan Cafe Theatre and Xiahemicang Theatre, the social drama of the Grass Stage Theatre and the theatricality of criticality of the Zuheniao Troupe, demonstrate the ecology of avant-garde theatre in Shanghai since the turn of the century.

关 键 词：新世纪以来 上海 先锋戏剧 

分 类 号：J80[艺术—戏剧戏曲]