唐代白话诗中的死亡认知与地狱图景  

Research on Death Cognition and Hell Scene in Vernacular Poems of Tang Dynasty

作　　者：邵颖涛[1] SHAO Ying-tao(School of Literature,Northwest University,Xi’an 710127,Shaanxi)

机构地区：[1]西北大学文学院

出　　处：《宝鸡文理学院学报（社会科学版）》2019年第3期62-66,共5页Journal of Baoji University of Arts and Sciences：Social Science Edition

基　　金：教育部人文社会科学研究青年基金项目:地理空间与唐代僧侣文学研究(项目编号:16XJC751004)

摘　　要：王梵志、寒山、拾得等诗人创作的白话诗频言死亡话题与地狱情节,形成了一类有别于其他诗人的书写题材,在诗歌书写范围与民间信仰承传方面别树一帜。这些白话诗深受佛教观念与民间信仰渗透,关注视角由现实空间而转移到死后空间,从士庶生活复述而变为冥界的想象与重建。白话诗撷取地狱人物、环境等画面,融入地狱使者拘捕亡魂、积累功德减免罪责等信仰观念,通过诗歌形式而构筑唐代民间信仰与地狱观念之文化图景。The vernacular poems written by Wang Fanzhi,Hanshan,Shide and other poets frequently involve death and hell scenes,forming a kind of writing theme different from those of other poets,which is unique in the scope of poetry writing and the inheritance of folk beliefs.These poems are deeply permeated by Buddhist concepts and folk beliefs.Their focus shifts from real space to post-mortem space and from the retelling of civilian life to the imagination and reconstruction of the underworld.The vernacular poems of Tang Dynasty capture images of hell characters and environment,incorporate the belief concepts of hell messengers arresting the souls of the dead,accumulating merits to lessen guilt,and construct the cultural picture of folk beliefs and hell concepts in Tang Dynasty in the form of poems.

关 键 词：白话诗歌 地狱观念 佛教观念 死亡意识 

分 类 号：B94[哲学宗教—宗教学] I207.22[文学—中国文学]