图像的“真实”与“再现”  

On "Reality" and "Reproduction" of Images

作　　者：朱剑辉 ZHU Jian-hui(College of Arts and Crafts,Putian University,Putian Fujian 351100,China)

机构地区：[1]莆田学院工艺美术学院

出　　处：《齐齐哈尔大学学报（哲学社会科学版）》2019年第6期143-146,共4页Journal of Qiqihar University(Philosophy & Social Science Edition)

摘　　要：读图时代R图片传播形式多种多样,由于种种因素,对于图像需求很多时候的确无法以“在场”方式获得——此时清晰自然摄影作品,照片使用就成为速写训练过程的必要补充。但人物照片的模拟写生不是靠单纯,被动的“模仿”对象,而是要发挥个人造型观的介入,强化审美感受,来实现本质转换,把照片变为“笔触”,才能把自然形象转化为艺术形象情感符号,画面才具有绘画感。The dissemination of pictures has been diversified in reading picture time. Due to various factors, the demand for images has often not been obtained in a "presence" manner - at this time, clear natural photography works, Photo use is a necessary complement to the sketching process. However, the simulation of the photo of the character does not rely on the simple, passive "imitation" of object, but to exert the intervention of the personal shape view, strengthen the aesthetic feeling, to achieve the essential transformation, turn the photo into a "stroke", in order to transform the natural image into the artistic emotional symbol and the picture has a sense of painting.

关 键 词：图像照片 再现 作品绘画感 

分 类 号：J20[艺术—美术]