“新生代”美国华裔小说的文学审美回归——论黄锦莲的长篇小说《点心》  

The Return of Literary Aesthetics in the “X Generation” Chinese American Fictions——On Kim Wong Keltner’s Fiction The Dim Sum of All Things

作　　者：谭静 TAN Jing(School of Foreign Studies,Guangzhou Commerce College,Guangzhou 510530,China)

机构地区：[1]广州商学院外国语学院

出　　处：《集美大学学报（哲学社会科学版）》2019年第3期94-98,共5页Journal of Jimei University：Philosophy and Social Sciences

基　　金：广州市哲学社会科学“十三五”规划课题(2018GZGJ139);广东省教育科学“十三五”规划项目(2018GXJK218)

摘　　要：美籍华裔作家黄锦莲将自己的个人体验与成长经历注入《点心》女主人公欧阳林赛的情感书写当中,呈现了多元文化角度下新一代年轻美国华裔女性眼中的“中美世界”和情感世界。分析《点心》中的个人化写作特征及作品的诗化倾向,有助于了解美国“新生代”华裔小说身份书写中所蕴含的文艺美学、文化诗学层面的意义,唤起华裔文学作品文学审美的回归。By injecting her personal experience into the description of the protagonist Owyang Lindsey's emotions in The Dim Sum of All Things,the Chinese American writer Kim Wong Keltner displayed the Chinese and American society in the eyes of the new generation of Chinese American female as well as her emotional world from the multicultural perspective.The analysis of the emotional writing style and poetic tendency of this novel helps readers to understand the artistic aesthetics and the significance of cultural poetics embodied in the“identity”writing of“X Generation”Chinese American fictions,with the purpose of arousing the return of the artistic aesthetics in the Chinese American fictions.

关 键 词：黄锦莲 《点心》 “个人化”写作 诗化倾向 文学审美 

分 类 号：I712.074[文学—其他各国文学]