走在街上的女性——近现代文学中的街道与都市女性形象  

The Woman Walking in the Street——Streets and the Urban Female Images in Modern Literature

作　　者：童敏 李永东[1] TONG Min;LI Yong-dong(College of Liberal Arts, Southwest University, Chongqing 400715, China)

机构地区：[1]西南大学文学院

出　　处：《安徽师范大学学报（社会科学版）》2019年第4期62-68,共7页Journal of Anhui Normal University(Hum.&Soc.Sci.)

基　　金：中央高校基本科研业务费专项资金资助项目(SWU1709103)

摘　　要：墙是“街道”与“家”之间的重要界限,一墙之隔便“内外有别”。作为外部空间的街道是一个被性别化的空间,男性是街道上的原生居民,他们享有街道的支配权。当“家”与“街道”之间那堵墙被打破之后,女性开始走出闺门,涉足街道。在街道上,女性的身体处于男性的凝视之下。作为街道新人,女性要被街道所接受,须调整自我与街道之间的关系,并且对自我身体进行改造。因此,近现代文学中出现在街道上的女性,最终经历了由物化到革命符号化的过程。The wall is the important boundary between the street and the home,the wall is separated from each other. The street as an outer space is a sexualized space, and the men are the native inhabitants of the street, they have the power of the street. After the wall between the home and the street was broken, women began to step out of the boudoir and set foot in the street. They walk in the street and suffer from the gaze of the male society. To be accepted by the street, women must adjust the relationship between themselves and the street, then transform their body. Therefore, the women who appear in the street in modern literature have finally experienced the process from materialization to revolutionary symbolization.

关 键 词：街道 男权 女性 身体 

分 类 号：I206.6[文学—中国文学]