民国时期通俗小说的弹词改编  

Tanci Adaptation of Popular Novels in the Republic of China

作　　者：童李君[1] TONG Lijun(School of Education and Humanities, Suzhou Vocational University, Suzhou 215104, China)

机构地区：[1]苏州市职业大学教育与人文学院

出　　处：《常熟理工学院学报》2019年第4期45-48,66,共5页Journal of Changshu Institute of Technology

基　　金：2015年度教育部人文社会科学研究一般项目“民国弹词研究”(15YJC751038);2013年度国家社科基金重大项目“百年中国通俗文学价值评估、阅读调查及资料库建设”(13&ZD120);2019年度江苏省高职院校青年教师企业实践培训项目(2019QYSJPX054)

摘　　要：民国时期,随着时代的发展,新的观众层的形成,特别是电台的兴盛使得弹词的需求量不断增加;弹词艺人在革新传统书目的同时,也在不断寻求新书目的编演,以此吸引听众。在此背景之下,大量当时流行的通俗小说被改编成弹词。With the development of the times, the formation of new audience, especially the prosperity of the radio station, the demand of Tanci was increasing. While innovating the traditional Tanci, Tanci artists were also constantly seeking the compilation and performance of new books so as to attract listeners. In this context, a large number of popular novels at the time were adapted for Tanci.

关 键 词：民国 通俗小说 弹词 改编 

分 类 号：I239.1[文学—中国文学]