国展标准与大众传播——30年来中国艺术节美术展览综述与思考  

National Exhibition Standards and Mass Communication:Summary and Prospect of Art Exhibitions of China Art Festival in the Past Thirty Years

作　　者：朱亮亮[1] Zhu Liangliang

机构地区：[1]常州工学院艺术与设计学院

出　　处：《美术》2019年第7期14-18,共5页Art Magazine

基　　金：2016年教育部人文社会科学研究青年基金项目“近现代美术展览会与艺术市场发展研究(16YJC760083)”阶段性成果;2018年江苏高校“青蓝工程”优秀青年骨干教师项目资助

摘　　要：自1987年北京举办第一届中国艺术节以来的30余年时间里,艺术节已经成为中国民众精神文化生活中的一件盛事.作为主要艺术活动之一的美术展览集中呈现了历年来最高的美术创作水平和浓厚的民众参与热情.本文从美术展览的时代特征与展览主题、展览策划与展示方式、大众传播与审美接受等角度出发,分析了30年来历届中国艺术节中美术展览的发展脉络与艺术规律;同时,对正在上海举办第十二届艺术节美术展览进行观察与分析,旨在为新时代下中国艺术节之美术展览持续健康发展提供视角和参照.It has been more than 30 years since the 1st China Art Festival was held in Beijing in 1987, and art festivals have become major events for the Chinese government and the spiritual and cultural lives of the public. Fine arts exhibition, which represents one of the major art activities, fully showcased the highest level of artistic creation over the years, and the passions of the public. By referring to Pine arts exhibition, including its time features, exhibition themes, exhibition planning, display mode, mass communication, and esthetic acceptance, this article probes into the development path and artistic rules of the fine arts exhibitions of China Art Festival over the past more than 30 years. Moreover, the fine arts exhibition of the ongoing 12th Shanghai Art Festival is observed and analyzed, hence providing a perspective and reference to the constant health development of the fine arts exhibitions of China Art Festival in the new era.

关 键 词：国展标准 大众传播 中国艺术节 美术作品展览 

分 类 号：J209[艺术—美术]