“五四”文学研究的三个纬度——从赵家璧主编《中国新文学大系(1917-1927)》部分导言说开去  

Three DimThree Dimensions in the Research of May 4th Literature

作　　者：王光东[1] Wang Guangdong

机构地区：[1]上海社会科学院文学研究所

出　　处：《社会科学》2019年第7期167-172,共6页Journal of Social Sciences

摘　　要：赵家璧主编的《中国新文学大系(1917-1927)》十卷的导言写作者,都是五四新文化运动的直接参与者。胡适、周作人的导言对"五四"文学与"文化传统"的关系有着深入的说明;郑伯奇的导言提出了"五四"文学接受异域文学影响时的"混合性"特点;茅盾则以表现"社会生活的深度和广度"作为评价作品的基本原则。重读这些导言,对于我们进一步的理解"五四"文学和中国现当代文学研究具有重要的启示性意义。The writers of the ten volumes of the Introduction to the Chinese New Literature edited by Zhao Jiabi (1917 -1927) are all direct participants in the May 4th New Culture Movement. The introduction of Hu Shi and Zhou Zuoren gave an in- depth explanation of the relationship between May 4th literature and cultural tradition. Zheng Boqi’s introduction put forward the mixed characteristics of May 4th literature when it accepted the influence of foreign culture. Mao Dun regarded the description of the depth and breadth of social life as the basic principles of evaluating works. Re- reading these introductions is of great enlightening significance for our further understanding of the May 4th literature and the research of modern and contemporary Chinese literature.

关 键 词：“五四”新文学 文化传统 异域影响 批评纬度 

分 类 号：I206.6[文学—中国文学]