黑白木刻版画的形式语言研究  

Formal Language of Black and White Woodcut

作　　者：金赛龄 

机构地区：[1]常州大学

出　　处：《西部皮革》2019年第14期151-152,共2页West Leather

摘　　要：形式语言寓于不同的结构之中,展现不同的节奏和韵律。它作为木刻版画的载体,是一个由抽象与非抽象,有意识与无意识,必然因素与偶然因素分离构成的统一体。本文从画面关系及“笔墨”技法来看黑白木刻版画这门既古老又现代的艺术,学习版画的创作及历史发展,以亲身经历结合版画知识来研究认识木刻版画,发现版画不同的形式语言。Formal language lies in different structures,displaying different rhythms and rhythms.As the carrier of woodcut printmaking,it is a unity composed of abstract and non-abstract,conscious and unconscious,inevitable and accidental factors.From the perspective of the relationship between pictures and “brush and ink” techniques,this ancient and modern art of black and white woodcut printmaking studies the creation and historical development of printmaking,studies and understands woodcut printmaking through personal experience combined with printmaking knowledge,and discovers different forms of language in printmaking.

关 键 词：黑白木刻版画 黑白灰 点线面 虚实关系 透视关系 

分 类 号：J227[艺术—美术]