关于四个“孩子”的“现代亚神话”  

The “Modern Sub-myth” on Four “Children”

作　　者：王海燕 WANG Hai-yan(School of Humanity,Anqing Normal University,Anqing 246011,China)

机构地区：[1]安庆师范大学文学院

出　　处：《海南师范大学学报（社会科学版）》2019年第3期50-55,共6页Journal of Hainan Normal University(Social Sciences)

基　　金：国家社会科学基金项目“新时期中国小说发展史论”(项目编号:10BZW089);安徽省哲学社科规划项目“对立与和谐:新时期30年小说的发展论阐释”(项目编号:AHSKF07-08D110)

摘　　要：新时期文学中的四个孩子:黑孩、捞渣、丙崽和上官金童,虽出自现代小说而非真正意义上的神话,却无不浸染了"神性"或"魔性",他们身上附着了民族的、群体的、端点上的某种"类"的品性,成为民族历史和民族性格的寓言品,这些"孩子"的形象,构成了犹如神话人物的形象符号的隐喻体系。The four children in the literature of the new period, i.e. the black boy, the dredger boy, the C puppy and the golden boy, are all imbued with divinity or devildom, though they come from modern novels rather than real myths, for they are attached with certain "class" attribute of the nationality, the group, and the end point, and have become the allegory of national history and national character. In a word, the image of these "children" constitutes a metaphorical system like the image symbol of mythical characters.

关 键 词：现代亚神话 孩子 黑孩 捞渣 丙崽 上官金童 

分 类 号：I206.7[文学—中国文学]