周作人《草木虫鱼》系列小品创作动因考论——从与日本“本草学”的关联性出发  

The Causes of Zhou Zuoren’s Creation of Serial Essays about Animals and Plants:Analysis Based on His Relationship with Japanese Herbalism

作　　者：吴红华 Wu Honghua(Graduate School of International Studies of Culture, Kyushu Sangyo University, Fukuoka 813-8503, Japan)

机构地区：[1]九州产业大学

出　　处：《长江学术》2019年第3期33-40,共8页Yangtze River Academic

摘　　要：本文主要在对周作人不同时期所撰写的三篇鸟兽虫鱼小品文《苍蝇》(1924年)、《金鱼》(1930年)、《赋得猫--猫与巫术》(1937年)进行细致文本梳理基础上,结合其留日时期的学术源脉,探讨周作人在不同时期的文坛背景下是如何通过围绕草木虫鱼题材,对中国现代散文发展中的"怎么写?写什么?"这一问题进行探索与实践的,凸显出周作人文学中存在着一条站在生物学的角度去检点文化史、反思人生美学思想的文学主线。By analysing Zhou’s three essays namely "Fly(written in 1924)","Goldfish(in 1930)" and "Cat & witchcraft(in 1937)", this paper describes how Zhou Zouren explored the problem of"how and what to write"around the themes of animal, insect and fish in modern Chinese prose time, which also revealed the main line of rethinking life anesthetics and cultural history from the perspective of biology in Zhou’s literary works.

关 键 词：周作人 生物小品文 创作动因 

分 类 号：I207.65[文学—中国文学]