海明威《印第安人营地》中乔治叔叔的戏剧功能解析  

Dramatic Function of Uncle George in Hemingway’s Indian Camp

作　　者：黄利华[1,2] HUANG Li-hua(School of Foreign Languages,Guangdong Peizheng College,Guangzhou 510830,China;School of English,Guangdong University of Foreign Studies,Guangzhou 510800,China)

机构地区：[1]广东培正学院外国语学院 [2]广东外语外贸大学英文学院

出　　处：《湖北第二师范学院学报》2019年第7期21-26,共6页Journal of Hubei University of Education

摘　　要：《印第安人营地》是海明威1925年出版的短篇小说集《在我们的时代里》中的开篇之作,小说自发表以来一直引起读者的广泛关注,特别是乔治叔叔这个人物的设计引起了人们的疑惑和不解,对于一向以“冰山理论”以及简约风格著称的海明威却花重墨,让乔治叔叔这个看似多余的人物在文中出现多次,这无疑激起了学者们研究的兴趣和阐释的热情。自20世纪60年代起,乔治叔叔一直被很多学者误认为是新生儿的生父,而且他应该为印第安男人的自杀负责,然而文中并没有明确证据表明这种解读是正确的。所以非常有必要进一步探讨乔治叔叔这一人物的性格刻画及其戏剧功能。Indian Camp is the first story in Hemingway’s short story collection In Our Time published in 1925, also one of Hemingway’s favorites and the best of the collection. Since publication, the story has drawn a great deal of attention and has been subjected to a wide variety of interpretations. The involvement of the character Uncle George has aroused as much doubt and perplexity as curiosity and enthusiasm for interpretation, on account of the fact that Hemingway, renowned for his iceberg theory and simple style should waste so much space depicting such a seemingly superfluous character. Since 1960s, Uncle George has always been considered to be the father of the newborn baby the Indian woman has delivered and has been claimed to be responsible for the suicide of the Indian husband. However, there’s no obvious evidence in the text to support such kind of interpretation. Therefore, it’s of great necessity to explore the characterization and dramatic function of Uncle George to manifest the significance of this figure.

关 键 词：海明威 《印第安人营地》 乔治叔叔 性格刻画 戏剧功能 

分 类 号：I712.074[文学—其他各国文学]