设计作品中的图像学研究——以冈特·兰堡招贴设计为例  

Iconography Research in Design Works -- Taking Gunter Lanbao Poster Design as an Example

作　　者：乔文霞 QIAO Wenxia(Academy of Fine Arts, Hunan Normal University, Hunan Changsha, 410012, China)

机构地区：[1]湖南师范大学美术学院,湖南长沙410012

出　　处：《数码设计》2018年第5期194-195,共2页Peak Data Science

摘　　要：本文通过运用潘诺夫斯基图像学的研究方法对设计作品进行分析研究,这种图像学的研究方法作为一种方法论的指导分别从历史和人文主义的角度对设计作品进行解读并且更加关注作品的寓意和内涵,这对设计作品的研究和发展起到了积极的引导作用。从图像学的三个层面阐述其研究方法给设计作品带来的影响,并以冈特·兰堡的招贴设计为例,针对他在不同时期招贴作品中进行图像学方面的研究与分析,并从多角度、多层次、多维度深入探索和解读他的招贴设计作品以及背后的隐喻性。This paper makes an analysis of the design works by using the research method of the iconography. The research method of this image is used as a methodological guide to interpret the design works from the perspective of history and humanism, and to pay more attention to the meaning and connotation of the works, which is the research of the design works. The study and development have played a positive role in guiding. This paper expounds the influence of its research methods on the design works from three aspects of image, and takes the design of the posters of Gunter lanburg as an example to study and analyze the image of his poster in different periods, and to explore and interpret his poster design from a multi angle, multi-level and multi dimension. The metaphorical nature behind it.

关 键 词：设计作品 图像学 冈特·兰堡 招贴设计 

分 类 号：J534.3[艺术—艺术设计]