周作人文学风格论要  

On Zhou Zuoren’s Literary Styles

作　　者：关峰 GUAN Feng(School of Literature,Northwest University,Xi’an 710127,China)

机构地区：[1]西北大学文学院

出　　处：《东莞理工学院学报》2019年第4期21-26,共6页Journal of Dongguan University of Technology

基　　金：陕西省社科基金项目“日常生活视阈下陕西长篇小说的精神谱系研究”(2016J033)

摘　　要：周作人从文学之意义与使命出发,开拓了文学的现代性路径,也奠定了他文学观的基础。前期他提出“以虚灵之物为上古之方舟”“掐臂见血”“视觉的盛宴”等文章观念,只是在流行的背景下,“文学观”一词才取得了自身的合法性。周作人人道主义的理论中虽然包含个人和人类两极,但他自由和解放的基点更倾向于“个人”的自觉。周作人认定文字“无可言”,实际上则是他“视觉的盛宴”文章观负面形式的表述。周作人的文学观随时代和社会的变化而变化,只在现实的框架和各种力量冲突的层面上,他“文学观”的合法性才得以确立。Zhou Zuoren,based on the significance and mission of literature,opened up the modernity path of literature and laid the foundation of his literary view.In the early stage,he put forward the concepts of“taking the virtual spirit as the ancient ark”,“pinching the arm to see the blood”,“the feast of vision”and so on.It was only under the popular background that the word“literary view”gained its own legitimacy.Although Zhou Zuoren’s theory of humanitarianism includes the two poles of individual and human beings,the basis of his freedom and liberation is more inclined to the consciousness of“individual”.Zhou Zuoren determined that the text“speechless”,in fact,is his“visual feast”article view of the negative form of expression.His literary view changes with the times and society.Only in the framework of reality and the conflict of various forces can the legitimacy of his literary view be established.

关 键 词：周作人 文学风格 文学观 

分 类 号：I206[文学—中国文学]