新艺术策略的形成：论《日瓦戈医生》  

The Formation of New Artistic Strategies:Boris Pasternak’s Doctor Zhivago

作　　者：纳·列伊德尔曼 马·利波维茨基 李志强 N.Leiderman;M.Lipovetsky;Li Zhiqiang

机构地区：[1]四川大学国际关系学院

出　　处：《俄罗斯文艺》2019年第3期52-61,共10页Russian Literature & Arts

摘　　要：《日瓦戈医生》突出呈现了20世纪三分之一的时间里俄罗斯现实的全景。小说中充斥着关于历史问题的争论:将当下的生活理解为“光明未来”的前提是否有意义?能否以美好理想的名义对生命的自然进程施加暴力?松斯捷尔纳克以“生命的奇迹”有力地驳斥了幼稚的极端主义、教条主义,同叶将尤里·日瓦头与耶稣基督相提并论:对于日瓦戈而言,自我实现在于承认他人拥有实现自我精神使命的同等权利,促使他人上升到个体的存在。帕斯捷尔纳克承认世界的混乱状态,进而借助耶稣基督确定的道德原则为混乱的世界确定秩序。Doctor Zhivago highlights a panoramic view of the realities of Russia over a period of one third of the 20th century. The novel is replete with arguments about history: Is it justifiable to take the present life as preconditions of a "bright future'"? Can we impose upon the natural process of life in the name of the pursuit of an ideal life? Pasternak vehemently opposes naive extremism and dogmatism by embracing the idea of “life's magic”,and places Yuri Zhivago in parallel with Jesus Christ: For Zhivago, self realization resides in the recognition of the equal rights of others in their spiritual pursuit of self-realization, thus promoting them to self-existence as individuals. Pasternak acknowledges that the world is chaotic, and the ethnic principles validated by Jesus Christ can be relied on to illuminate an orderly world out of this chaos.

关 键 词：帕斯捷尔纳克 《日瓦戈医生》 "生命的奇迹" 

分 类 号：I512.074[文学—其他各国文学]