沈从文与海派作家的文化心态考察  

An Investigation into the Cultural Mentality of Shen Congwen and Shanghai-based Writers

作　　者：陈广通 CHEN Guang-tong(College of the Humanities, Jilin University, Changchun 130012, China)

机构地区：[1]吉林大学,文学院

出　　处：《许昌学院学报》2019年第4期70-75,共6页Journal of Xuchang University

摘　　要：在中国现代性发展进程里,作家们的心态从对于家国的爱怨交织发展到个人心意的零余体验,沈从文和海派作家即是代表,他们在零余体验里产生了虚拟时间中对于永恒的幻想。他们和革命作家的心态一样,来自古老中国面对“现代性”侵入的焦虑。沈从文与海派作家的矛盾统一和革命作家一样,同出于中国文学的感时忧国传统。In the process of China’s modernity development, the writers’ mentality has evolved from the love and resentment towards their home country to the zero experience of the individual’s mind. Shen Congwen and the Shanghai-based writers are representatives. They have created the illusion of eternity in the zero experience. Like the mentality of revolutionary writers, it originated from the anxiety of ancient China in the face of the invasion of “modernity”. The contradictory unity between Shen Congwen and the Shanghai-based writers is the same as that of the revolutionary writers. Both of them share the tradition of worrying about the country of Chinese literature.

关 键 词：沈从文 海派作家 怨羡 断零 回瞥 

分 类 号：I206.6[文学—中国文学]