中日女性作家笔下的中国日本遗孤的形象——以山崎丰子《大地之子》和严歌苓《小姨多鹤》为例  

Image of Japanese Left-behind Orphans in China under Japanese and Chinese Female Writers——A Comparative Study of Yamazaki Toyoko’s Son of the Earth and Yan Geling’s Antie Duohe

作　　者：单援朝[1] Shan Yuanchao(Comprehensive Educational Center,Takagi University,Kumamon Japan 860-0082)

机构地区：[1]日本崇城大学综合教育中心

出　　处：《沈阳师范大学学报（社会科学版）》2019年第4期3-12,共10页Journal of Shenyang Normal University(Social Science Edition)

基　　金：国家社会科学基金重大项目(17ZDA277)

摘　　要：日本遗孤问题作为战争的后遗症成为中日两国共同的历史记忆。随着记忆的解冻,遗孤的人生也引起文学家的关心。山崎丰子的《大地之子》和严歌苓的《小姨多鹤》虽然在问世的时间上相差21年,但都是以日本遗孤问题为题材的,被改编成电视剧后又都火红一时,产生了相当大的社会效应。《大地之子》和《小姨多鹤》主要关注其形成的经纬及主人公的形象,通过分析比较两者的异同考察两位女性作者对日本遗孤问题的认识及就此所展现的对战争、国家及人性的思考。The issue of the Japanese left-behind orphans as an aftermath of the war has become a common historical memory between China and Japan.With the thawing of memory,the life of the orphans has also raised the concern from writers.Yamazaki Toyoko’s Son of the Earth and Yan Geling’s Antie Duohe,although they were published 27 years apart,were both based on the Japanese orphan problem.After being adapted into a TV series,they were both popular by that time and resulting in considerable social effects.This article takes these two novels as the research object,mainly focusing on the formation of the latitude and longitude and the image of the protagonist.By analyzing and comparing the similarities and differences between the two,the author examines the two female writers’understanding of the Japanese orphan problem and therefore shows their thinking about war,country,and humanity.

关 键 词：日本遗孤 《大地之子》 《小姨多鹤》 

分 类 号：I109.5[文学—世界文学]