水上勉沈阳题材作品中的“小孩”形象论考  

On “Syohai” Image in Shenyang Themed Creations by Mizukami Tsutomu

作　　者：王志松[1] 刘楚婷 Wang Zhisong;Liu Chuting(College of Foreign Languages and Literature,Beijing Normal University,Beijing 100875)

机构地区：[1]北京师范大学外国语言文学学院

出　　处：《沈阳师范大学学报（社会科学版）》2019年第4期13-18,共6页Journal of Shenyang Normal University(Social Science Edition)

基　　金：国家社会科学基金重大项目(17ZDA277);国家社会科学基金项目(13BWW020);辽宁省特聘教授项目

摘　　要：水上勉沈阳题材的文学创作在中日学界少有研究。在为数不多的学术论文中,学者主要将关注点集中在长篇小说《沈阳之月》的娼妇形象刻画上,却忽略了在沈阳题材作品中屡次提及的“小孩”形象的研究。《小孩》《沈阳的天空》《奉天北市场》等5部作品中的中国少年“小孩”形象,论述了由拒绝交流到给予温暖关怀的“小孩”形象变化,探究了其创作动机,解析了作家复杂的心路历程,揭示了水上勉对日本殖民统治的批判和作为加害者的自我反省。The study on Shenyang themed literary creations by Mizukami Tsutomu remains exiguous in academic circles both China and Japan,and among which more attention is turned to the depicting of prostitution women’s image in novel“Shinyo no Tsuki”,but rare research is about“syohai”image which mentioned several times in Mizukami Tsutomu’s Shenyang themed creations.By analyzing the Chinese juvenile“syohai”image in“Syohai”and other four works,this paper is aimed to summarize the“syohai”image deformation from aloof to warmhearted,to explore its creation motives,to probe into the writer's inner thoughts,and to further reveal Mizukami Tsutomu’s critique on Japan’s colonization and his self-reflection as an inflicter.

关 键 词：水上勉 沈阳体验 “小孩”形象 

分 类 号：I109.5[文学—世界文学]