中国审美语境与当代漆画关系的思考  

Thinking about the relationship between Chinese aesthetic context and contemporary lacquer painting

作　　者：刘纪元 Liu Jiyuan

机构地区：[1]佳木斯大学

出　　处：《中国生漆》2019年第2期10-11,16,共3页Journal of Chinese Lacquer

摘　　要：中国当代漆画在发展过程中一直伴随着许多讨论和争议,在当代美术教育的环境下,这些话题一直没有真正的停止过。而"漆"在中国已有很长的使用历史,传承和发展的技法和图式语言也很多,如果将对漆画的探索放置在中国审美语境中,从中国的文化、审美、哲学等角度去审视漆画,可能会有许多新的思考和结论。Many corresponding discussions and controversies have been occurring during the development of contemporary lacquer painting of China. In the context of contemporary art education, the topics have never totally stopped."Lacquer" has a time-honored history of application in China with abundant techniques and schema languages for its inheritance and development. In case the exploration of lacquer painting be placed in the Chinese aesthetic context and the assessment of lacquer painting be done from the perspective of Chinese culture, aesthetics and philosophy, many new ideas and conclusions may quite possibly be derived.

关 键 词：漆画 中国 文化基因 

分 类 号：J213.9[艺术—美术]