新疆壁画中的药师佛图像研究  

A Study of Bhaisajyaguru in Murals of Xinjiang

作　　者：贾应逸 Jia Yingyi

机构地区：[1]新疆博物馆

出　　处：《吐鲁番学研究》2019年第1期1-7,F0002,153,共9页TURFANOLOGICAL RESEARCH

摘　　要：新疆石窟壁画中的药师佛图像资料,现存于库车县的库木吐喇石窟、阿艾石窟和吐鲁番柏孜克里克石窟中。库车县的东方药师净土变和药师佛尊像属于唐代,而吐鲁番的东方药师净土变图则为对唐代安西壁画艺术的继承和发展,体现了西州回鹘时期的艺术。这些图像资料体现了新疆自古以来多民族文化并存的特点,也体现出在多民族长期共同生活的历史进程中,文化艺术的发展存在统一性。与敦煌莫高窟相关题材及藏传佛教相关联,又体现出中华民族整体文化艺术宝库中的多元性、融合性。The image of Bhaisajyaguru in the cave paintings of Xinjiang is now kept in the Kumtura caves,the Ay Caves and the Bezeklik Caves in Turfan.The Oriental Pharmacist Pure Land Change and the Bhaisajyaguru Statue in Kucha County belonged to the Tang Dynasty,while the Oriental Bhaisajyaguru Pure Land Change Plan in Turfan was the inheritance and development of the Anxi mural art in the Tang Dynasty,which reflected the art of the Western Zhou Dynasty.These image data reflect the coexistence of multi-ethnic culture in Xinjiang since ancient times,and also reflect the unity of the development of cul.ture and art in the historical process of multi-ethnic long-term common life,which was related to the con.cerned themes of Dunhuang Mogao Grottoes and Tibetan Buddhism,and which also reflects the diversity and integration of the Chinese national culture and art treasure house.

关 键 词：库木吐喇石窟 阿艾石窟 柏孜克里克石窟 药师佛 

分 类 号：K879.41[历史地理—考古学及博物馆学]