自然物之喻与中国文学批评  

Natural-object Metaphor and Chinese Literary Criticism

作　　者：冯晓玲[1] Feng Xiaoling(School of Chinese Language and Literature,Beijing Normal University,Beijing 100875,China)

机构地区：[1]北京师范大学文学院

出　　处：《文艺理论研究》2019年第3期141-149,共9页Theoretical Studies in Literature and Art

摘　　要：自然物之喻是中国文学批评的一种譬喻方式,有其发展、演变的历史进程。自然物喻文有着内在的学理依据,它与中国文学的发生论、中国美学传统、中国哲学的认识论与生命观相关。自然物喻文有着多方面的批评意义,它沟通了人文世界与宇宙自然世界,拓宽了文学的言说空间与审美空间,打通了文学批评与其他艺术批评之间的界限,彰显了中国文学批评以及中国美学的生命意识与抒情精神。Natural-object metaphor is included in the metaphor system of Chinese literary criticism,with its historical progress of development and evolvement.Natural-object metaphor has its intrinsic theoretical basis and is connected with the genetic theories of Chinese literature,Chinese aesthetic tradition,and the epistemology and life view of Chinese philosophy.The natural-object metaphor has significance in many aspects of literary criticism.It connects the cultural world and the cosmological world,enriches literary expression and aesthetics,and links literary criticism and art criticism,which reflects the life consciousness and the lyric spirit in Chinese literary criticism and traditional aesthetics.

关 键 词：自然 譬喻 中国文学批评 

分 类 号：I206[文学—中国文学]