叙事逻辑与行为动机——新世纪印度反腐败电影的美学分析  

Narrative Logic and Behavioral Motivation: Aesthetic Analysis of Indian Anti-corruption Films in the New Century

作　　者：杜忠锋[1] 王文武 Du Zhongfeng;Wang Wenwu(College of Communication and Media,Yunnan Normal University,Yunnan,Kunming,65050)

机构地区：[1]云南师范大学传媒学院

出　　处：《民族艺术研究》2019年第4期26-32,共7页Ethnic Art Studies

摘　　要：印度电影具有强烈的反映社会现实的特点。印度反腐题材影片经历了从“暴露腐败现象”到“严厉打击腐败行为”的过程。印度电影中腐败主体和方式层出不穷,同时,反腐败主体的打击行为和力度也越来越大。印度反腐电影的叙事逻辑依循布雷蒙的叙事理论,其反腐主体的动机充分体现出印度的国家意识形态。Indian films is characterized by strong demonstration of social reality.Indian anti-corruption films developed from“exposure of corruption”to“strict hit on corruption”.The subject and measure of corruption are diverse in Indian films and the behavior and strength of the subject in anti-corruption are growing.The narrative logic of Indian anti-corruption films follows that of Bremond,and the motivation of the subject of the anti-corruption fully reflects India s national ideology.

关 键 词：叙事逻辑 行为动机 印度电影 反腐败 电影美学 

分 类 号：J904[艺术—电影电视艺术]