八桂文化语境中大型舞作的艺术想象——改革开放以来广西舞剧、舞蹈诗创作述评  

The Artistic Imagination of Large Dance Creation in the Context of the Bagui Culture

作　　者：于平 黄丹 Yu Ping;Huang Dan(China Artistic and Literary Critics Association,Beijing,10008;Shenzhen University;Music College of Guangxi Normal University,Guilin,Guangxi,541004)

机构地区：[1]中国文艺评论家协会,北京100083 [2]深圳大学 [3]广西师范大学音乐学院,广西桂林541004

出　　处：《民族艺术研究》2019年第4期49-59,共11页Ethnic Art Studies

摘　　要：改革开放以来广西大型舞作的创作主要有《灯花》《北海珍珠城风情歌舞》《漓江情韵》《咕哩美》《妈勒访天边》《碧海丝路》《百鸟衣》《侗》《刘三姐》《花界人间》等10部作品,虽然改革开放以来广西的舞剧、舞蹈诗创作都体现出八桂文化的特征——舞剧创作主要是取材于神话传说、舞蹈诗主要是紧扣地域风情的创作现状,但大多潜在地受到“风格至上”理念的制约,因此,树立“表意优先”的创作理念在当前是至关重要的。只要真正树立了“表意优先”的创作理念,八桂文化语境中的大型舞作将会取得更大的进展。There are around 10 large dance works which have been created in Guangxi after the Opening Up and Reform,such as Lantern Flower,Flirtatious Songs and Dance in the Pear City in Beihai Sea,Feelings in Li River,Guli Beauty,Male Visiting Afar,The Maritime Silk Road,Hundred-birds Cloth,Dong,Liu Sanjie,and Floral Men s World.Although the creation of dance drama and dance poem all represent the Bagui(Guangxi)cultural characteristics after the Opening Up and Reform as the creation of dance drama is themed on legends and myths,dance poem is based on local stories,most of them are restricted by the idea of“style-oriented”.Therefore,it is important to establish the creation idea of“meaning-expression first”.As along as the creation idea of“meaning-expression first”is established,bigger progress of the large dance creation in the context of Bagui culture can be made.

关 键 词：八桂文化 大型舞作 广西舞剧 舞蹈诗 表意优先 

分 类 号：J705[艺术—舞蹈]