从海昏侯墓出土音乐资料探讨海昏侯国的用乐制度  

An Exploration of the Music System in Marquis Haihun State based on the Music Materials unearthed in his Tomb

作　　者：张维[1] 柯黎[1] Wei Zhang;Li Ke

机构地区：[1]江西师范大学音乐学院

出　　处：《星海音乐学院学报》2019年第3期19-32,49,共15页Journal of Xinghai Conservatory of Music

基　　金：江西省社会科学规划课题“基于海昏侯墓出土乐器之海昏侯国相关用乐制度研究”(16YS07)

摘　　要：海昏侯墓作为目前已发掘的西汉墓葬中规模最大、结构最完整、出土文物最丰富的王侯墓葬,出土音乐资料组合规范、风格明了,编钟、编磬构成了雅乐乐悬,琴、瑟、笙、箫和伎乐俑组成俗乐设,錞于、铙和建鼓则是典型的军旅出行组合。无论其形制或是组合,都一定程度上反映了海昏侯国对先秦礼乐规范的继承、折射出刘贺本人复杂的身份等级,更揭示了西汉初期礼乐制度方面文献失载的某些特点。It was unearthed systematic music material in the tomb of the Marquis Haihun in the Western Han Dynasty tombs. The bell set and stone - chime set constitute the overhung instrumental system of ya Music, and qirt, se, sheng, xiao and jiyue figures together form the setup of suyue music. Chunyu, cymbals, and drums are typical military travel combinations. Regardless of the structure or combination, it reflects the inheritance of the Marquis Haihun to the pre - Qin' s ritual and musical norms and the complex status level of Liu He, and reveals the ritual and musical systems which are unrecorded in the early Western Han Dynasty.

关 键 词：西汉 海昏侯墓 刘贺 音乐资料 用乐制度 

分 类 号：J609.1[艺术—音乐]