东北三省地域美术风格的确立——以20世纪中叶三届东北三省美展为中心  

The Establishment of Art Styles in the Three provinces in Northeast China:A Focus on Three Art Exhibitions of Three Provinces in Northeast China in the mid-20th

作　　者：张红梅[1] 

机构地区：[1]吉林艺术学院

出　　处：《美术》2019年第8期90-94,100,共6页Art Magazine

摘　　要：20世纪五六十年代,黑龙江、吉林、辽宁三省的美术家立足地域进行美术创作,形成了北大荒版画、关东画派等风格鲜明的地方艺术流派.本文以1959年至1964年间黑、吉、辽三省连续举办的三届东北三省美术展览会为中心,考察东北三省美术创作的区域集结和交流.通过对参展画家和主要作品的分析研究,梳理以地域性为基础,时代性、民族性兼备的东北地域美术风格体系从无到有、从弱到强的发展过程.In the 1950s and 1960s, artists in Heilongjiang, Jilin and Liaoning based their artistic creation on regional characteristics and developed local schools of arts with distinct styles like woodcut painting of the Great Northern Wilderness and school of Northeast Chinese painting. This article concentrates on three Art Exhibitions of Three Provinces in Northeast China from 1959 to 1964 held by Heilongjiang, Jilin and Liaoning in succession and examines regional confluence and exchange of these three provinces in art making. By analyzing and studying painters who participated in the exhibition and their major works, this article clarifies the process of art style system of northeast China, which is based on regionalism and combined with contemporaneity and nationality, beginning from nothing and growing from weak to strong.

关 键 词：东北三省美展 北大荒版画 关东画派 地域风格 

分 类 号：J209[艺术—美术]