中国现代美术史中的武汉版画  

Wuhan Woodcut Painting in the History of Chinese Modern Fine Arts

作　　者：陈曦[1] 

机构地区：[1]华中师范大学美术学院

出　　处：《美术》2019年第8期95-98,共4页Art Magazine

摘　　要：中国现代美术诞生于20世纪初中外思潮冲击最前线的沿海地区,因为抗日战争的爆发,从事现代美术创作的艺术家被迫内迁,促使内陆的艺术形态也发生了巨大的变化.现代版画的传播也不例外,从上海至敌后,从抗战前至新中国成立后,现代版画完成从批判利器至审美需求的转变.在新中国成立初期工业大发展的背景下,武汉地区版画创作出现了新演变——工业版画成为武汉版画创作的名片.Chinese modern fine arts were born in coastal areas, which were at the forefront of the impact from Chinese and foreign ideological trends, in the early 20th century. Since the Anti-Japanese Wis broke out, artists engaging in modern artistic creation were forced to move to the interior, causing great changes to art forms of the interior. The spread of modern woodcut painting was no exception that after modern woodcut painting completed the transformation from a weapon for criticism to an aesthetic need from pre-Anti-Japanese War to postliberation after Shanghai met the enemy. In the context of major industrial development in early days after the establishment of new China, Woodcut paintings in the Wuhan area showed new evolution: industrial woodcut painting became a signature for Wuhan woodcut paintings.

关 键 词：现代版画 工业版画 现代美术 

分 类 号：J209[艺术—美术]