论清代坊本弹词的雅化  

On the Elegance of “Fangben Tanci” in the Qing Dynasty

作　　者：盛志梅[1] SHENG Zhimei(School of Literature, Tianjin Normal University, Tianjin 300387, China)

机构地区：[1]天津师范大学文学院

出　　处：《苏州教育学院学报》2019年第4期36-42,共7页Journal of Suzhou College of Education

基　　金：国家社会科学基金重大项目（17ZDA246）;教育部人文社会科学研究规划基金项目（15YJA751023)

摘　　要：清代弹词是一种融娱乐性、文学性、商业性于一体的文学,根据生产方式的不同,可以分为书场弹词、书坊(坊本)弹词、书斋(案头)弹词。清代弹词在发展过程中出现了雅化的趋势。其中,坊本弹词的雅化主要有三个特征:以抢占市场为目的的题材雅化,以扩大市场为目的的形式雅化和以迎合政府文禁为目的的主题雅化。坊本弹词的雅化是清代文人弹词创作的一个主要诱因,是弹词创作由书场走向书斋的一个必要中介。Tanci in the Qing Dynasty is a kind of literature that integrates entertainment, literature and commerce. According to the different production modes, Tanci can be divided into Tanci written for stage performances, Tanci published by bookstores and Tanci produced by the literati. In the development of Tanci in the Qing Dynasty, there was a trend of elegance. Among them, the elegance of Fangben Tanci(Tanci published by bookstores) has three main characteristics: the elegance of the theme for the purpose of seizing the market, the elegance of the form for the purpose of expanding the market and the elegance of the topics for the purpose of catering to the government’s prohibition. The elegance of Fangben Tanci is a main inducement for literati to create Tanci in the Qing Dynasty, and a necessary intermediary for Tanci creation from the bookstore to the study.

关 键 词：坊本弹词 弹词 书场 雅化 清代 书坊 坊刻本 

分 类 号：J80[艺术—戏剧戏曲]