论濮仲谦竹刻艺术的美学特征与后世承继  

The Aesthetic Characters of Pu Zhongqian’s Bamboo Carving and it’s Inheritance

作　　者：杨海涛[1] YANG Hai-tao(Nanjing Museum,Nanjing,Jiangsu,210016)

机构地区：[1]南京博物院

出　　处：《艺术百家》2019年第3期142-147,179,共7页Hundred Schools In Arts

摘　　要：濮仲谦是明代最杰出的工艺雕刻家之一,他开创的金陵派竹刻,将中国古代竹刻艺术推向了前所未有的高峰。他最大的成就是将竹刻艺术从精雕细镂这一种美学风范中拓展开来,创造了另一种简约清新的艺术风格,丰富和发展了中国古代传统雕刻艺术。濮仲谦的竹刻艺术具有崇尚自然、追求意境、突出“真”“韵”的美学特征,影响深远,至今不绝。Pu zhongqian is one of the most important artists of carving in the Ming Dynasty,he founded Jinling Bamboo Carving Group,pushed the Chinese Bamboo Carving to an unprecedented height.The most important achievement of Pu Zhongqian is that his simple and fresh carvings have brought another new group of style which differs from the tradition of the complex and the refined carvings.Flourishing and developing the Chinese ancient art of carving Pu Zhongqian's Bamboo Carvings show the following aesthetic characters such as worshiping nature,aspiring to poetic imagery and focusing on truth and special quality.His influence on Chinese art of carving have lasted until today.

关 键 词：濮仲谦 竹刻 艺术创作 金陵派 美学特征 

分 类 号：J50[艺术—艺术设计]