索菲亚的拯救——《十二个》新论  

The Rescue of Sophia——the Reinterpretation of The Twelve

作　　者：薛瑞强 XUE Rui-qiang(Tianjin Normal University,Tianjin,China,300387)

机构地区：[1]天津师范大学

出　　处：《广东开放大学学报》2019年第4期64-69,共6页JOURNAL OF GUANGDONG OPEN UNIVERSITY

摘　　要：《十二个》是解构宏大叙事的文本,而结尾的基督形象由勃洛克早期诗歌中永恒女性索菲亚形象发展而来,二者一脉相承。基督是索菲亚在历经此岸世界的游历和冒险后,经历痛苦和觉醒后的升华;是索菲亚降临尘世的一种在场形式。而这种在场在面对革命浪潮后,传统俄罗斯东正教信仰面临危机,为信仰缺失提供了救赎的希望。当象征秩序和和谐的索菲亚不在场的时候,基督就承担了索菲亚的角色,使混沌重归智慧与爱的整一状态。基督正是带领俄罗斯民族重新走向自我救赎的神圣象征,只有复归已经渗透进俄罗斯人血液、古老而又历久弥新的东正教信仰,挽救信仰失落造成的症结,才能实现真正的自由。The Twelve is the text of deconstructing the revolution,while the ending image of Christ is developed from the image of the eternal female Sofia in the early poems of Blok.The two are actually in the same line.Christ is the travel of Sophia through this world.In the wake of adventure,pain and sublimation after awakening,Christ is a form of presence in which Sophia came into being.When Sophia,who symbolizes order and harmony,is not present,Christ assumes the role of Sofia and resumes chaos to the state of wisdom and love.Christ is the sacred symbol of leading the Russian nation to return to self-salvation.Only when the the Russians return to the faith of Orthodox while saving the the loss of faith can real freedom be realized.

关 键 词：勃洛克 俄国象征主义 基督教 十二个 索菲亚 

分 类 号：I106.2[文学—世界文学]