《阿伽门农》的现代性内涵及其对西方现代戏剧的影响  

The Connotation of Modernity in Agamemnon and Its Impact on Western Modern Theatre

作　　者：唐凌[1] Tang Ling

机构地区：[1]中国艺术研究院文学艺术创作研究院

出　　处：《戏剧（中央戏剧学院学报）》2019年第4期97-104,共8页Drama:The Journal of the Central Academy of Drama

摘　　要：在古希腊悲剧家中,埃斯库罗斯被西方学界公认是最具现代性的悲剧诗人之一。他的代表性悲剧作品是包括《阿伽门农》在内的《奥瑞斯特斯三部曲》,无论是在悲剧艺术形式的革新性上,还是悲剧思想内容的开放性上,都被视作是西方悲剧现代性的重要开端,并对美国"现代戏剧之父"尤金·奥尼尔创作的堪称美国现代戏剧扛鼎之作的《悲悼三部曲》,以及法国现代哲学家、文学家让-保罗·萨特的存在主义戏剧经典的《苍蝇》,产生过直接和深刻的影响。而《悲悼三部曲》与《苍蝇》在人物形象塑造和主题思想上的显著区别,也显示出埃斯库罗斯所代表的古希腊悲剧对于20世纪西方现代戏剧影响的差异性和多元化。Among the ancient Greek tragedians, Aeschylus was recognized as one of the tragic poets who had the strongest sense of modernity in his works by western academia. His representative tragic work was Oresteian Trilogy, which included Agamemnon. It was regarded as an important beginning of the modernity of western tragedy in terms of the innovation of tragic art forms and the openness of tragic thought and content. It also had a direct and profound impact on Mourning Becomes Electra, the masterpiece of American modern theatre written by Eugene O’Neill, "the father of American modern theatre", and The Flies, the classic existentialist theatre written by Jean-Paul Sartre, French modern philosopher and writer. The significant distinctions between Mourning Becomes Electra and The Flies in their characters and themes also showed the diversity and pluralism of the influences that the ancient Greek tragedy represented by Aeschylus gave to the 20 th century western modern theatre.

关 键 词：《阿伽门农》 现代性内涵 西方现代戏剧 影响 

分 类 号：J83[艺术—戏剧戏曲]