论1930年代上海“真美善作家群”的形成及其文化姿态  

A Study of the Formation of the “Truth,Beauty,and Goodness” Writer Group in Shanghai in the 1930s and Their Cultural Posture

作　　者：王西强[1,2] Wang Xiqiang

机构地区：[1]陕西师范大学外国语学院 [2]华东师范大学中文系

出　　处：《文史哲》2019年第5期150-164,168,共16页Literature,History,and Philosophy

摘　　要：在1930年前后上海出版业兴盛、文化事业繁荣的历史背景下,曾朴、曾虚白父子以独特的文化姿态创办“真美善”书店、杂志,取得了丰硕的出版业绩。“真美善作家群”是在曾氏父子的努力号召下聚拢起来的,他们在竞争激烈的上海文化市场获得了自己的话语空间,形成了“法国式沙龙”文化生活方式和内部层级性文化交往模式。他们展现出这样的文化姿态:改革新文学,使之走向“伟大”;放弃启蒙立场,转向培育“文化的班底”;实行文学的普及,建设“群众的文学”;也喊出了打倒、“超过任何派”等不切实际的“狂飙”式口号。“真美善作家群”在参与文学变革活动过程中所表现出的历史的和美学的典型性特征,也显现在他们借鉴外来文化资源的过程及其选择的较为独特的路径之中:在译介外来文化资源方面,他们有意识地追求系统性和经典性,接受并使用新文化运动“文学革命”的成果,以语体文、白话文忠实移译,力避欧化,反对全盘西化。对于如何“别求新声于异邦”,他们有着自己独立的文化的、审美的和历史的美好愿景和技术路径设计。Under the background of flourishment of publishing and culture in the 1930s in Shanghai, Zeng Pu and his son Zeng Xubai founded the bookstore and magazine of the “Truth, Beauty, and Goodness,” and gained plenteous performance. The “Truth, Beauty, and Goodness” writer group was collected under Zeng s efforts. They acquired their own discourse space in competitive cultural market of Shanghai, and formed unique cultural and living style in salon type. They showed the cultural posture of reforming new literature, abandoning the enlightenment standpoint, practicing literature popularization, and also shouted some hurricane-type slogans. On translating and introducing foreign cultural resources, they consciously held the pursuit of system and classics by accepting and using the result of “literary reform” which means making faithful translation in vernacular Chinese, as well as avoiding and opposing wholesale westernization. About how to absorb new nutrition through foreign cultural resources, they have independent cultural, aesthetic, and historical vision and path design.

关 键 词：曾朴、曾虚白父子 “真美善”书店 真美善作家群 文化姿态 

分 类 号：I206.6[文学—中国文学]