从历史演变探析中国当代音乐创作的诗乐关系  

Exploring the Relationship between Poetry and Music in the Contemporary Compositions in China from the Perspective of Historical Evolution

作　　者：庞莉 Pang Li

机构地区：[1]浙江音乐学院作曲与指挥系

出　　处：《南京艺术学院学报（音乐与表演版）》2019年第3期50-55,I0003,共7页Journal of Nanjing Arts Institute:Music & Performance

基　　金：2016年浙江省哲学社会科学规划一般课题“中国当代诗乐音响结构作品研究”（编号：16NDJC275YB）;国家教育部人文社科规划基金项目一般课题“基于中国古典诗词的当代诗乐创作新思维研究”（编号：16YJA760030）的阶段性成果

摘　　要：诗乐关系一直以来都是文学界和音乐界饶有趣味的话题,也是中国当代作曲家颇感兴趣的创作方向之一。文章对诗乐关系的历史演变做了总结梳理,重点研究中国当代诗乐创作的分类、形式与观念,提炼出诗乐关系创造性的发展对中国当代音乐创作的启示。The relationship between poetry and music has always been an interesting topic in the literary and musical circles, and it is also one of the creative directions that contemporary Chinese composers are interested in. This article summarizes the historical evolution of the relationship between poetry and music, focuses on the classification, forms, and concepts, and extracts the inspiration of the creative development of the relationship between poetry and music to the contemporary Chinese music writing.

关 键 词：历史演变 诗乐关系 中国当代 音乐创作 

分 类 号：J601[艺术—音乐] J609.2