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作 者:李若熙 LI Ruoxi(Journal Editorial Department of Sichuan University of Arts and Sciences,Dazhou Sichuan 635000,China)
机构地区:[1]四川文理学院学报编辑部
出 处:《四川文理学院学报》2019年第4期70-75,共6页Sichuan University of Arts and Science Journal
摘 要:《跻春台》是清末川刻话本小说的代表,体现了清末白话短篇小说的特点,即具有明确的教化思想,具体体现为"劝善惩恶"。"孝"作为"百善"之首,在小说中得到了突出的体现。《跻春台》中出现了大量的孝子形象,这些孝子形象根据不同的划分标准可以分为不同的类型,具有一些独有的特点。《跻春台》之所以出现大量的孝子形象,与作者的着意塑造和当时的社会背景均有直接关系。Ji Chun Tai is the representative of script-typed stories issued in Sichuan,which embodies the characteristics of vernacular short stories in the late Qing Dynasty.That is,it has a clear enlightenment thought,which is embodied in "promoting good and punishing evil". "Filial piety",as the first of the "hundreds of good",has been highlighted in the novel.There are a lot of filial piety figures in this novel.These filial images can be divided into different types according to different criteria with some unique characteristics.The reason why a large number of filial piety images appear in Ji Chun Tai is directly related to the author’s intention to shape and the social background at that time.
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