论杰拉德·维兹诺的“后印第安”文学世界  

On Gerald Vizenor’s “Postindian” Literary World

作　　者：生安锋[1] 刘丽慧 SHENG An-feng;LIU Li-hui(Department of Foreign Languages and Literatures,Tsinghua University,Beijing 100084,China)

机构地区：[1]清华大学外文系

出　　处：《河南大学学报（社会科学版）》2019年第5期94-100,共7页Journal of Henan University(Social Sciences）

基　　金：国家社科基金重大项目“马克思主义与世界文学研究”(14ZDB082)阶段性成果;北京市社会科学基金重点项目“后殖民主义、世界主义与中国文学的世界性研究”(18WXA002)阶段性成果

摘　　要：美国本土裔作家杰拉德·维兹诺坚持传扬本土裔部族传统文学与文化,他从多个角度不断对由白人殖民者所发明并被主流文化所误用的所谓“印第安”身份进行解构与重构,打破人们对印第安人固有的偏见和错误印象,提出“后印第安”的概念,以之重新建构本土裔民族身份,并将之付诸自己的多种文学实践,通过体裁多样、数量庞大的作品,力图真实客观地描写当前美国印第安人的生存现状和思想状况。在其文学与文化实践中,多部作品相互呼应,构建起了一个“后印第安”文学世界,其中展现出的各种创新思想与技法极大地丰富了整个美国印第安文学宝库,也为我们解决某些存在争议的历史、民族、身份、政治等问题提供了可能的思考方向。American Indian writer Gerald Vizenor always insists on his native traditions and culture. Through his writings, he tries to deconstruct the wrong and misleading "Indian" identity, which was invented by the early white colonists and appropriated by the dominant culture. In order to break down the wrong impression and prejudices about Indian people, also to help the Indian people to reconstruct its native identity or identities, he proposes the original idea of "postindian". In his rich and varied literary and cultural practices, he always focuses on the description of the real physical and spiritual situations of Native American people. With his amazingly different genres and interrelated characteristics, he has practically constructed a marvelous "postindian" literary world, which contains many new ideas and literary skills that are not only important to the whole American Indian literary treasury, but also helpful for us in solving certain problems related to history, nation, identity, and politics.

关 键 词：杰拉德·维兹诺 “后印第安” “生存抵抗” 印第安文学 

分 类 号：I106.4[文学—世界文学]