大洋洲华文微型小说中国形象的相近性想象  

The Proximity Imagination of Chinese Images in Oceanian Mini-novels in Chinese

作　　者：杨迪 唐向阳 YANG Di;TANG Xiangyang(Liberal Arts College,Shaoyang University,Shaoyang 422000,China)

机构地区：[1]邵阳学院文学院

出　　处：《邵阳学院学报（社会科学版）》2019年第4期96-100,共5页Journal of Shaoyang University:Social Science Edition

基　　金：国家社会科学基金重点项目“世界华文微型小说百家创作年谱”(18AZW024);湖南省教育厅一般项目“儿童微型小说研究”(14C1025)

摘　　要：大洋洲华文微型小说中国形象的相近性想象运用了单线式和串联式两种模式,它们相互独立又相互联系,单线式相近性想象由此及彼,串联式相近性想象由点及面。海外华文作家通过想象,打破现实与回忆的界限,具有双重身份的他们不可避免地将自身的情感与认知转译成文字,将故人、故土、故音、故情、故景捕捉其中,观照自我,延续自我与民族的联系,从而构建独特的中国形象。The two modes of Single-line and serial are employed in the proximity imagination of Chinese images in Oceanian mini-novels in Chinese.They are both independent and interrelated.The proximity of single-line imagination goes from one to the other,while the one of serial imagination goes from the point to the surface.Overseas Chinese writers break the boundary between reality and memory through imagination.Their double identities make them inevitably translate their own emotions and cognition into words,concerning the old people,places,sounds,feelings and scenes,reflecting themselves and continuing the connection between themselves and the nation,thus constructing unique images of China.

关 键 词：华文微型小说 中国形象 相近性想象 

分 类 号：I207.427[文学—中国文学]