日本后现代小说策略研究--以1990年代中叶以后的作品为中心  

A Research on Japanese Post-modern Novel Strategy--Focusing on Works after the Mid-1990s

作　　者：沈俊[1,2] Shen Jun(Foreign Language School of Sanjiang University, Nanjing Jiangsu 210012)

机构地区：[1]三江学院外国语学院,江苏南京214012 [2]南京师大

出　　处：《西安翻译学院学报》2019年第3期48-50,72,共4页JOURNAL OF XIAN FANYI UNIVERSITY

基　　金：江苏省教育厅2017年度高校哲学社会科学研究项目“日本后现代小说‘国家空间’策略研究”(立项批准号:2017SJB0521)阶段性研究成果。

摘　　要：进入1990年代后半期,日本文坛呈现出现代与后现代交错杂糅的状态,对后现代小说策略的研究有助于把握时代面貌以及作家创作的主题思想。岛田雅彦试图利用“后现代死亡宣告”策略吸引更多人的关注,其小说本质仍是对霸权的反抗与批判;村上龙通过“后现代进化”策略,表达了对现有制度的破坏以及重建的渴望;村上春树使用“后现代物语”策略对权威进行质疑、批判与解构。In the late 1990s, modern and post-modern literature appeared mixed in the Japanese literary world, and the study of post?modern novel strategies helped to understand that era and the writer' s thematic thoughts. Shimada Msahiko tried to use the "post-modem death declaration" strategy to attract more attention. The nature of his novel is resistance and criticism to hegemony. Ryu Murakami expressed his desire for the destmction and reconstruction of the existing system through the "post-modern evolution" strategy. Haruki Mu-rakami adopted the 44 post-modern story" strategy to question, criticize, and deconstruct authority.

关 键 词：日本 后现代小说 策略 

分 类 号：I106.4[文学—世界文学]