从虚拟仿真到表现:数字虚拟影像风格形态与美学  

From Simulation to Expression:the Style and Aesthetics of Digital Virtual Image

作　　者：袁萱 YUAN Xuan(Department of Comics & Animation,Art and P.E.College,Sejong University,Seoul 05006,South Korea;School of Journalism and Digital Publishing,Beijing Institute of Graphic Communication,Beijing,102600,China)

机构地区：[1]韩国世宗大学大学院公演.影像.动画学科 [2]北京印刷学院新闻出版学院

出　　处：《武汉理工大学学报（社会科学版）》2019年第5期143-150,共8页Journal of Wuhan University of Technology:Social Sciences Edition

基　　金：北京社科基金青年项目“电影特效先锋设计研究”(15WYC062);北京印刷学院校内课题“数字特效造型语言及其美学思维研究”(E6201516)

摘　　要：随着创作观念的变化,数字虚拟影像正在从镜头内部纵深的方向重新解构着影像造型以及影像构成方式。表现性数字虚拟创作已从营造感官冲击的表达方式转向于浸入镜头内部,浸入影像时空结构和叙事,给影像表达注入了新的活力。数字虚拟创作是电影创作研究中极具活力和生命力的组成部分,研究数字虚拟影像创作观念、形态及美学价值,目的以表现性虚拟的视角探索数字虚拟创作风格形态变化和美学特征,创新点为当代特效创作提供一些从创作到美学观念上的思考。With the change of creative ideas,the digital virtual image is reconstructing the image modeling and image formation from the direction of the interior of the lens.The performance of digital virtual creation has shifted from creating the expression of sensory shock to immersing into the lens,immersing in the spatio-temporal structure and narrative of images,and adding new vitality to the expression of images.Digital virtual creation is part of great vitality of creation in the film,this paper studies digital virtual image creation concept,form and aesthetic value,focusing on digital virtual creation style and the morphological changes of aesthetic characteristics from the perspective of virtual performance,so as to start the thinking of creation and aesthetic ideas in the contemporary creation of special effects.

关 键 词：数字虚拟影像 表现性虚拟 风格形态 美学 

分 类 号：J901[艺术—电影电视艺术] J93