知青题材美术创作的当代呈现与精神内涵研究  

On Contemporary Presentation and Spiritual Connotation of Art Creation on Educated Youth

作　　者：杨国[1] 高国华[1] Yang Guo;Gao Guohua(Heihe University, Heihe 164300, China)

机构地区：[1]黑河学院

出　　处：《黑河学院学报》2019年第8期172-174,共3页Journal of Heihe University

基　　金：2017年度黑龙江省哲学社会科学研究规划项目“北大荒知青美术研究”(17YSE389)

摘　　要：知青题材美术是我国具有典型时代意义的美术题材,集中创作于60到70年代的“上山下乡”运动中,具有鲜明的时代感和艺术特性。文革结束后,知青题材美术发生了重要的转变,但在当代美术创作中仍然占据着重要地位。知青题材美术具有历史性,其主题日益多元、技法不断创新、风格转变激烈的特点。知青题材美术创作的精神追忆过往岁月、反思知青时代、忠于内心体验。The art works on educated youth, as the art theme with typical era significance in China, are mainly created in the “going to the countryside” movement in the 1960s and 1970s with a distinct sense of the times and artistic characteristics. After the end of the Cultural Revolution, the art on educated youth has undergone important transformation, but it still occupies an important position in contemporary art creation. The art on educated youth has the nature of history with increasingly diverse theme, constantly innovated techniques and fiercely changed style. The spirit of art creation on educated youth can make people reminisce the past years, reflect on the era of educated youth, and be loyal to the inner experience.

关 键 词：知青题材美术 当代呈现 精神内涵 

分 类 号：J52[艺术—艺术设计]