安徽傩戏跳钟馗和韩国假面剧处容舞的比较研究  

A Comparative Study of Zhongkui Dance in Anhui Nuo Opera and Cheoyongmu in Korean Mask Opera

作　　者：张倩[1] Zhang Qian(School of Eastern Languages, Anhui Foreign Language University, Hefei 231200, China)

机构地区：[1]安徽外国语学院东方语言学院

出　　处：《黑河学院学报》2019年第8期185-187,共3页Journal of Heihe University

基　　金：安徽省高校人文科学重点研究项目“安徽傩戏和韩国假面剧的比较研究”(SK2017A0790)

摘　　要：傩戏是世界上很多民族都有的一种文化现象,具有强烈的戏剧色彩,古代的傩舞戏剧色彩更为强烈。中韩两国地理位置相近,中国的傩礼对韩国假面剧的形成有着深刻的影响,比较中国傩戏和韩国假面剧的舞蹈会发现,跳钟馗和处容舞在人物形象、仪式过程等方面有相似之处,认为处容舞在起源和发展上受中国傩礼的一定影响,随着各自的发展又各自保留了不同的特色,为两国传统文化的交流和共通提供了基础。The Nuo opera is viewed as a cultural phenomenon existing in many ethnic groups in the world, having strong dramatic feature, and this is especially ture for the ancient Nuo dance drama. China and South Korea have similar geographical locations. China’s Nuo rituals have a profound impact on the formation of Korean mask opera. Comparing Chinese Nuo opera with Korean mask opera, it can be found that there are similarities between Zhongkui dance and Cheoyongmu in terms of character image and ritual process, It is believed that Cheoyongmu is influenced by China’s Nuo rituals in its origin and development;however, they retain different characteristics respectively along with their development, providing the basis for the exchange and commonality of traditional culture between the two countries.

关 键 词：傩戏 傩舞 假面剧 钟馗 处容 

分 类 号：J825[艺术—戏剧戏曲]