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作 者:林孟蓉 LIN Mengrong(Mazu Culture Research Institute,Putian University,Putian,Fujian,351100)
机构地区:[1]莆田学院妈祖文化研究院
出 处:《妈祖文化研究》2019年第3期68-79,共12页Mazu Culture Research
基 金:2019年度国家社会科学基金项目“‘一带一路’的视野下台湾地区妈祖文化与海上经贸关系研究”(批准号19BMZ057);莆田学院校内科研项目“台湾北部淡水河流域之妈祖文化发展脉络探析”(项目编号2018072)
摘 要:本文以台湾曾经消逝的妈祖庙新竹内天后宫为例,从历史变革与文化传承作为探讨核心,试图从历史沿革中梳理妈祖文化在台的传承意义。本文以文献梳理和实地田野访查为方法,论述范围包括:乾隆年间竹堑内妈祖天后宫的倡建与修建、日据时期内妈祖天后宫的变革、光复后的重建与现况等四个部分,试图在历史与文化的变革中理解竹堑内妈祖天后宫如何在文化洪流里蜕变。同时,本文也尝试说明竹堑内妈祖天后宫如何在严苛的历史条件下浴火重生,以及如何在法定规范下通过"改制"再度重现妈祖文化传承的生命力。Take Zhuqiannei Tianhou Palace,a once-existing Tianhou Palace in Hsinchu,Taiwan as an example, this paper tries to sort out the inheritance significance of Mazu culture in Taiwan from historical evolution, with historical change and cultural inheritance as the core of discussion,Through literature review and field investigation,the scope of the discussion includes four parts:The initiative and construction of Zhuqiannei Tianhou Palace during the Qianlong period,the transformation of the Palace in the Japanese occupation period, the reconstruction after the recovery and the current situation.This paper tries to understand how Zhuqiannei Tianhou Palace had changed in the cultural torrent in the historical and cultural changes and it explains how the Mazu Tianhou Temple in Zhuqiannei reborned under the harsh historical conditions,and how to reproduce the vitality of Mazu culture through the "reform" under the statutory norms.
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