试论元代北方草原文学的文化融合  

On the Cultural Fusion of Northern Grassland Literature in Yuan Dynasty

作　　者：温斌[1] WEN Bin(School of Chinese Language and Literature,Baotou Teachers College,Baotou 014030)

机构地区：[1]包头师范学院文学院

出　　处：《阴山学刊》2019年第5期21-27,共7页Yinshan Academic Journal

基　　金：国家社会科学基金资助项目“古代北方草原文学美学价值探究”(12XZW016)阶段性研究成果

摘　　要：元代是中国古代多元文化交融、融合最为活跃的时期,疆域的无比辽阔、“两都制”的建立、儒家学说的逐步深入人心、传统“华夷之辨”等观念的逐步消解、多种宗教文化的并存共生,使元代文化交融奠定坚实土壤。文化融合深深影响并推进着北方草原文学对美的追求与实践,主要体现在文人创作队伍的民族融合、文学活动的民族融合、审美追求的文化融合等方面。Yuan Dynasty was the most active period of multiculturalism and fusion in ancient China, with the vast territory, the establishment of “two-capital system”, the gradual deepening of Confucianism, the gradual digestion of the concept of “differentiation of Huayi” and the coexistence and symbiosis of various religious cultures, which laid a solid soil for the cultural integration of the Yuan Dynasty. Cultural integration deeply affects and promotes the pursuit and practice of beauty in northern grassland literature. It is mainly reflected in the national integration of literati creative team, the national integration of literary activities, the cultural integration of aesthetic pursuit and so on.

关 键 词：元代 北方 文化融合 草原文学 

分 类 号：I206.2[文学—中国文学]