论《喧哗与骚动》中的解构意向  

On the Elements of Deconstruction in The Sound and the Fury

作　　者：刘金鹰 LIU Jinying(Graduate School,Sichuan International Studies University,Chongqing 400031,China)

机构地区：[1]四川外国语大学研究生院

出　　处：《安康学院学报》2019年第5期31-34,共4页Journal of Ankang University

摘　　要：福克纳作为美国20世纪最伟大的作家之一,其成名作《喧哗与骚动》一直以来都受到各界的关注与重视。在《喧哗与骚动》中,福克纳运用意识流、心理时间和多角度叙事等艺术手法,造成不可靠叙事的相互消解,破坏和颠覆了传统线性时间观,瓦解了传统南方淑女形象,使小说呈现出多元、不确定、反中心和反传统的解构意向。As one of the greatest writers of the 20th century in the United States,Faulkner’s famous work The Sound and the Fury has always been concerned about and attached great importance by various circles. In that book,Faulkner used many artistic techniques such as,the stream of consciousness,psychological time,multi-narration,resulting in the mutual elimination of narrative unreliability,destroying and subverting the traditional linear time concept,and disintegrating the image of the traditional southern ladies,which presents the novel many elements of deconstruction such as,pluralism,uncertainty,anti-center,anti-tradition.

关 键 词：《喧哗与骚动》 解构意向 不可靠叙事 时序倒置 南方淑女 

分 类 号：I106.4[文学—世界文学]